Kevin Miller, Untitled from Blood and Bone, 2019, pigment print on glass. © Kevin Miller, 2019. Reproduced with permission of the artist.
Online Special Issue 11
Guest edited by Jennifer Rutherford.
The essayists in this issue take Freud’s ‘The Uncanny’ as a point of departure to explore uncanny doublings in their own diverse creative practice. There is nothing unitary or dutiful in their approach, nor in their creative rethinking.
Featuring essays, a photo essay and poetry by Marion May Campbell, David McCooey, Maria Takolander, Jill Jones and more.
‘Drawing from a symposium held in 2019, hosted by the J.M. Coetzee Centre for Creative Practice at the University of Adelaide, marking the one hundredth anniversary of Freud’s essay, in this issue we explore how the uncanny manifesting in the form of the Doppelgänger continues to inform, foment, and play through the work of writers and artists.’
Jennifer Rutherford, Guest Editor
Westerly: Doppelgänger (OSI11) is guest edited by Jennifer Rutherford.
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Jennifer Rutherford Introduction
Maria Takolander ‘The Writer and the Double’
Marion May Campbell ‘Spooked by Nothing: ptyxing along the axis of dislocation’
David McCooey ‘Uncanny Allusions: Poetry, Film, and Filiation’
Jill Jones ‘On the Double Lives of Poems’
Kevin Miller ‘Double Vision: or what do you see when thinking about something else’
Heather Taylor Johnson ‘Toying with the Doppelgänger: Vincent van Gogh’s Post-Impressionism meets my Post‑Ekphrasism’
Heather Taylor Johnson ‘The Sick Room Redoux (on viewing The Bedroom at the Van Gogh Museum, Amsterdam)’
Heather Taylor Johnson ‘One Way to Dance Inside Van Gogh’s Painting (or ‘On Viewing Starry Night’)’