Since 1956, Westerly has been publishing lively fiction and poetry as well as intelligent articles.

The Magazine has always sought to provide a Western Australian-based voice, although its contributors and subject matter have never been geographically exclusive.  It publishes creative writing and scholarship from throughout the world, but maintains a special emphasis on Australia, particularly Western Australia, and the Asian region.

Westerly has a strong international reputation, and is listed in some of the world’s major cultural indexes. It has been instrumental in the careers of many of the region’s most prominent and internationally renowned writers. These include major Western Australian writers such as Randolph Stow, Dorothy Hewett, T.A.G. Hungerford and Elizabeth Jolley; highly-awarded contemporary writers, including Tim Winton, Kim Scott, and Sally Morgan; and important local poets like John Kinsella, Tracy Ryan, John Mateer, and Lucy Dougan. Equally, it seeks to invest in emerging writers and support the development of new careers.

It is published at the Westerly Centre (formerly the Centre for Studies in Australian Literature) at the University of Western Australia, with assistance in project funding from the Western Australian State Government through the Department of Local Government, Sport and Cultural Industries, and the Australian Federal Government through the Australia Council for the Arts. Our Writers’ Development Program and Mid-Career Fellowship is supported by Copyright Agency’s Cultural Fund.

The print magazine is published twice a year in July and November, while the website publishes content throughout the year, including Online Special Issues available for free digital download.

Meet the Team


General Editor: Catherine Noske

Catherine completed her PhD in creative writing at Monash University in 2013. Her work has been published in journals here and overseas. She has been a visiting research scholar to the University of Warwick (UK), convened multiple conferences and serves as a board member to Writing WA. Creatively, her work has been twice awarded the Elyne Mitchell Rural Women Writers award. Her first novel, The Salt Madonna, was as a manuscript awarded a Varuna fellowship in 2014, and was published by Picador in February 2020.

Josephine Taylor

Associate Editor: Josephine Taylor

Josephine joins the Westerly team from Edith Cowan University, where she is an Adjunct Lecturer in creative writing. Since completing her PhD in writing in 2011, Josephine has continued to present and publish material drawn from her award-winning thesis, with work published across a variety of print and online journals, including Westerly, Axon, Outskirts and Southerly. She is a member of the editorial board of Margaret River Press, and reviews regularly for Australian Book Review. She is interested in creative responses to chronic pain, and passionate about Australian writing, especially here, in Western Australia.

Daniel Juckes

Associate Editor: Daniel Juckes

Daniel Juckes is a writer from Perth, Western Australia. He is a Lecturer in Creative Writing at UWA, and he holds a PhD in Creative Writing from Curtin University. His creative and critical work has been published in journals such as Axon, Life Writing, M/C Journal, TEXT and Westerly, and his research investigates seamlessness in prose style and the potential of objects in stories about the past.


Commissioning Editor: Lucy Dougan

One of two commissioning editors for Westerly, Lucy Dougan’s books include Memory Shell (5 Islands Press), White Clay (Giramondo), Meanderthals (Web del Sol) and The Guardians (Giramondo), and her prizes the Mary Gilmore Award, the Alec Bolton Award and short-listings for the 2015 Queensland Premier’s Prize for Poetry and the 2016 Victorian Premier’s Prize for Poetry. Since the early 1990s she has been published in a range of journals both here and overseas, and has had work represented in many anthologies.  She has worked in arts administration, as a tertiary teacher of creative writing and literature, and as poetry editor of HEAT magazine and Axon: Creative Explorations.  She has had poems commissioned for the Southern Forest Sculpture Walk at Northcliffe and the Busselton Jetty.  She currently works for Westerly Magazine. Her PhD, concerning representation of Naples, was awarded in 2010. Her latest book, The Guardians, won the WA Premier’s Book Award for 2015/2016.

Commissioning Editor: Cassandra Atherton

The second half of our dynamic commissioning duo, Cassandra Atherton is an award-winning poet and Associate Professor at Deakin University. She was a Harvard Visiting Scholar in poetry in 2016, and has been the successful recipient of fifteen national and international grants and awards, most recently a VicArts grant and an Australia Council Grant to work on a book of prose poetry on the atomic bomb. Cassandra has published twelve books including seven poetry collections, most recently Pikadon (2018), and is writing a critical book on prose poetry for Princeton University Press. She has been invited to judge several awards and prizes, including the Victorian Premier’s Literary Awards: Prize for Poetry, the Lord Mayor’s Prize for Poetry and the joanne burns microliterature award.

Web Editor: Melissa Kruger

Melissa, also known as Maiken, is a queer writer, editor, performance artist and vocalist who lives, works, plays and studies on Whadjuk Noongar Boodja. Melissa holds a Bachelor of Arts with a double major in English & Creative Writing and Theatre & Drama from Murdoch University and is currently completing a Bachelor of Performing Arts Honours at the Western Australian Academy of Performing Arts in Performance Making. Passionate about the Arts, Melissa prefers a multi-disciplinary approach in her own practice, with a special interest in how art can combine with activism. She enjoys experimenting with multiple genres on the same subject with the aim to showcase the importance and value of art in shaping society. Currently, Melissa is working on a postdramatic performance piece. She is co-Artistic Director of Split Lip Theatre Company. Melissa was born in South Africa and has lived in New Zealand and the UK as well as Australia, with Perth being home since 2016. She is interested in continuing to learn and draw from the multiple cultures she has been fortunate enough to be welcomed into with respect, honouring the knowledge and wisdom of each. Melissa considers herself to be a lifelong student.

Prose Editor: Susan Midalia

Susan Midalia grew up in the wheatbelt, and after graduating from the universities of Western Australia and Cambridge, worked as an academic and teacher for several decades. She has a PhD in contemporary Australian women’s fiction and has published on the subject in national and international literary journals. She quit her job in 2006 in order to have time to write, and since then has published three collections of short stories: A History of the Beanbag (shortlisted for the Western Australian Premiers Book Awards); An Unknown Sky (shortlisted for the Steele Rudd Award); and Feet to the Stars (shortlisted for the Western Australian Book Awards). Her debut novel The Art of Persuasion was published in 2018, and her second novel, Everyday Madness, will be released early in 2021.

Susan is an experienced editor, reviewer, workshop facilitator and mentor to emerging writers. She has been a judge in numerous literary prizes, including the T.A.G. Hungerford Award, the WA Premiers Book Awards and the Margaret River Press Short Story Competition. She is currently enjoying the challenge of writing micro-fiction, having published pieces in Westerly and the anthologies Crush, Landmarks and Once. Susan is married to Dan Midalia (otherwise known as her unofficial patron) and has two adult sons of whom she is boastfully proud. She believes in the capacity of fiction to encourage reflection of self, other and society, and through the power of language and story, to make some kind of sense of our increasingly blighted world.

Paul Munden

Poetry Editor: Paul Munden

Paul Munden is a poet published both in the UK and Australia. He has published five poetry collections, including Analogue/Digital: New & Selected Poems (Smith|Doorstop, 2015) and Chromatic (UWA Publishing, 2017), and five prose poetry chapbooks. He is editor (or co-editor) of various journals and anthologies, including Metamorphic: 21st century poets respond to Ovid (RWP, 2017) and Giant Steps (RWP, 2019). For the British Council he has covered a number of scientific and humanitarian themes as conference poet and edited the anthology, Feeling the Pressure: Poetry and science of climate change (British Council, 2008).

He was director of the UK’s National Association of Writers in Education, 1994-2018, and is now a Royal Literary Fund Fellow at the University of Leeds. He is also an Adjunct Associate Professor at the University of Canberra, Australia, where he established the ‘Poetry on the Move’ festival.

First Nations Editor: Timmah Ball

Timmah Ball is a nonfiction writer, researcher and creative practitioner of Ballardong Noongar heritage. In 2018, she co-created Wild Tongue Zine for Next Wave Festival with Azja Kulpinska, which interrogated labour inequality in the arts industry. Her writing has appeared in a range of anthologies and literary journals, including Meanjin, Right Now and Etchings Indigenous. Timmah was awarded Westerly’s Patricia Hackett Prize in 2016 for her powerful essay ‘In Australia’, published in Westerly 61.2.





Westerly is also supported by a great team of interns. If you are interested in taking up a short-term position as an intern, please contact us.

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